Sunday, September 29, 2013

What camera Lens is good for shooting action photography? (Read Description)?

best camera lens for event photography on Economic Research: Billy Fuccillo
best camera lens for event photography image



shabooyah


I currently own a Canon Rebel XSi, and the only lenses I have so far is the kit lens, and a 80-200mm zoom lens. I need to take some pictures of water, in midair, and possibly shoot some athletic events. What lens would be suitable for this?


Answer
The 80-200 would probably be your best bet depending on the sport. For all field sports you will want a long telephoto lens like the 80-200. A 70-300 would give you some more reach. If you are shooting daytime shots you should have no problem with a consumer level lens in the 200-300mm range getting good shots. If you are shooting indoors or at night you will need a lens with a large aperture like F2.8 or you wont be able to get a shutter speed fast enough to freeze the action and will end up with a bunch of blurry shots.

If you are shooting indoor sports like basketball then your best choices would be a 24-70mm F2.8 and a 70-200mm F.28 but since these lenses cost about $4,000 combined they are probably not feasable. In that case I would recommend a 50mm F1.4 or and 85mm F1.8 or a 100mm F2.8 all can be had for $500 or under. If budget is really tight a 50mm F1.8 costs about $125. The fixed focal length lenses all have large apertures which will be good in the low light environments of indoor sports. You will have to zoom with your feet though.

What camera is good for horse photography and videoing?




abcdefgaha


I'm looking to buy a camera for taking pictures and videos of horses and horse riding in general, but my maximum is £200.
If anyone can give suggestions and than examples of pictures and/or videos of horses that it has taken, that'd be great. Thanks in advance :)
P.s I put this in the horse section because I figured some horsey people will be big on horse photography :)



Answer
About any camera that has a high megapixel rating and has the capability to control the shutter speeds and apertures will suffice. The important thing will always be the skills of the photographer. A camera is only a tool and is only as good as the user.

I recently purchased a GE x200 because it is small and versatile to carry in my saddlebags for fun shooting, but found it quite capable for professional quality shooting of horse events in remote areas

In addition, I have found folks are usually calmer when looking down the lens of a not so "pro looking" camera. This is one attribute many pros take advantage of while shooting candids. There are many compact digitals today with very high resolutions.

Here is a photo I took with the GE X200 at a recent ACTHA event . This was taken deep within the woods where traditional pro equiptment would have been too bulky to pack in.
http://www.flickr.com/photos/50856837@N04/8981636288/

Feel free to look at my photo collection on flickr, and I think you will see I get the job done in capturing images. Not meaning to toot any horn, but merely stating that the most important photographic piece of equiptment lies behind the viewfinder.That equiptment is the knowledge of composition and knowledge in the mechanics of photography. The GE X200 retails for $180.




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Sony DSLR - how to achieve out of focus background in portraits?

dslr camera lens wiki on Downloads Digital SLR Cameras & Photography For Dummies - Lidie
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Q. So I just got a Sony A380 14.2 megapixel DSLR camera with a 18-55mm with f3.5-5.9 kit lens. I am having a little bit of trouble getting the desired "out of focus" background that I would like to achieve. Does anyone have any tips that could help me with this? Thanks.


Answer
DOF - Depth Of Field
DOF is the area (plane) of the photo that is in sharp focus. For landscapes, we usually want a a very deep DOF, so that everything in it is in focus. For portraits, we usually like to have the person in focus, while the background is blurred.
So you have a plane that is in focus - and it can be either in the foreground (so the background is blurry) or in the background (so the foreground is blurry).

For the most part, this is achieved via a lens with a large aperture (that's the small f/stop number), but a longer focal length - i.e. zoom - increases the effect. Often people ask how to achieve with a small P&S camera, but unfortunately that is not something those little things are very good at.

If you have manual controls, use the biggest aperture. If you don't, try setting it to the portrait setting which makes the camera choose the biggest aperture it is capable of. Make sure there is some distance between you, the subject, and the background. You can also attempt it on Macro setting - that may work to a certain extent.

For further reading, check out this Wikipedia article: http://en.wikipedia.org/wiki/Depth_of_field

How does a mirrorless interchangeable lens camera work?




Jeffrey


When you remove the lens from an SLR, the mirror prevents light from exposing the film. I've never seen a DSLR, but I assume the mirror performs a similar function in them.

What blocks the light in a mirrorless interchangeable lens camera when the camera is off?

If you can include a link to a crosssectional diagram, that would be great. I couldn't find one with an image search.



Answer
I think you'll find that the mirrorless system has an electronic shutter and an electronic viewfinder as well. The mirror in a DSLR has nothing to do with the shutter... It flips up out of the light path just before the shutter opens. Most DSLR cameras (not all!) these days have focal plane (curtain) shutters - http://en.wikipedia.org/wiki/Focal-plane_shutter




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